My Hero Academia: Vigilantes Premiere Review

The first episode of My Hero Academia: Vigilantes is now streaming on Crunchyroll.

My Hero Academia is nearing its conclusion, but its first seven seasons – with their focus on the heroes-in-training of U.A. High School – have only shown us a sliver of a fascinating world where most people have superpowers (a.k.a. Quirks) and some parlay their Quirk into a lucrative career. Enter My Hero Academia: Vigilantes, an adaptation of the manga of the same name written by Hideyuki Furuhashi and illustrated by Betten Court. This is both a spin-off and a prequel to the main show,, and it’s not only a worthy expansion of the My Hero Academia universe, but a dazzling anime whose visual style pays tribute to classic superhero comics.

The anime follows Koichi Haimawari, an 18-year-old with a desire to help people despite having a less-than-stellar Quirk. His power allows him to travel quickly across any flat surface – as long as he makes contact with that surface with at least three limbs. Unfortunately, he’s no Flash: at top speed, he only moves about as fast as a bicycle. In many ways, Koichi is like My Hero Academia lead Deku: Both are big-hearted optimists and admirers of the world’s greatest superhero, All Might. In others, he’s a different kind of superhero for MHA: An everyman. The premiere does a lot of work to establish Koichi’s relatability. Sure he has a Quirk, but it’s not one that’s useful for superheroics. He tries to help people, but cowers when things get too real.

Even in the first episode, it is clear Vigilantes is giving audiences a different perspective on My Hero Academia. This is not a show about big villains with grand schemes fighting the A-listers. Its concerns are smaller, like the frustration of a convenience-store work being robbed by a small-time vandal with Wolverine claws. These are the villains that aren’t prioritized or even acknowledged by cops or heroes. It’s in line with the parent series: The best parts of MHA’s world-building involve the way regular people view hero society; in its earliest goings, it portrayed heroes as celebrities who sometimes cared more about endorsements than saving lives. Vigilantes promises to be a fascinating new spin on that idea, with a street-level view of a world where superpowers don’t just exist, but are common.

Without a doubt, the visuals are the main draw of the series so far. Director Kenichi Suzuki (JoJo’s Bizarre Adventure: Stardust Crusaders) and the animators at Bones Studio B (Mob Psycho 100) give Vigilante an art style that is distinct from the flagship series – even compared to other series adapted from manga, this one has distinctly comic-book-y aesthetic. The character outlines are thick, the shading is striking, and the colors pop. Every frame is vibrant; like the Spider-Verse movies, sounds effects are rendered as onscreen onomatopoeia. (“Bam!” “Pow!,” etc.). The first episode doesn’t reach the level of epic action of My Hero Academia, but these touches make even small alley brawls feel unique and dynamic.

Vigilantes is its own, smaller-scale story completely unconcerned with top heroes and U.A. High School. But some familiar faces show up nonetheless. Fortunately, these cameos and guest appearances (in the premiere, at least) aren’t shoehorned in as reminders of Vigilantes’ roots. Instead, they’re just another example of the fully realized, lived-in world in which these episodes take place in.