Crow Country Review - Old School Horror
Crow Country is coated in a murky green veneer that gives the impression you’re playing it on a grainy CRT TV in one of your friend’s bedrooms back in 1996. The polygonal figure of its protagonist, Special Agent Mara Forest, with her visible joints and single block of purple hair, harks back to any number of PlayStation-era character designs. Similarly, Crow Country’s environments look wonderfully pre-rendered, lavished in extra detail that sits in stark contrast to its simple, blocky characters. These aren’t the static backgrounds of yesteryear, however, but fully interactive playgrounds that add a modern tinge to Crow Country’s distinctly retro sensibilities.
This affectionate nostalgia is in service of a game that pays loving homage to landmark titles of the survival horror genre while also boldly standing on its own two feet. Resident Evil is Crow Country’s most obvious influence, but traces of Silent Hill and Alone in the Dark also stalk the darkest corners of its ’90s-inspired horror. It can be a tad too authentic at times, featuring unwieldy combat that’s tempting to ignore completely, but this is still a true advert for the joys of retro-modern survival horror when executed well.
Set in 1990, your first taste of the titular Crow Country occurs when Mara pulls into its parking lot in a white facsimile of a Volkswagen Polo. Crow Country is a decrepit, abandoned theme park that’s both dense and labyrinthine despite its small scale–as if designed by the same architect who worked on The Spencer Mansion and Racoon City Police Station. Mara is here following up on a missing person’s report for the park’s owner, Edward Crow, but it doesn’t take long before she’s unraveling the park’s deepest secrets and most intriguing mysteries.
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