Indie developer Team17’s Killer Frequency, out June 1, surprises me by having some of the best, most convincing voice acting and dialogue I’ve witnessed in a horror game. It’s a tragicomedy set in a radio station in the ‘80s, and this necessitates a schmooze-y charm for its characters, but I’m impressed by how well it…Read more...
Indie developer Team17’s Killer Frequency, out June 1, surprises me by having some of the best, most convincing voice acting and dialogue I’ve witnessed in a horror game. It’s a tragicomedy set in a radio station in the ‘80s, and this necessitates a schmooze-y charm for its characters, but I’m impressed by how well it…
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